Paper knife Lounge chairs 1955 by Kai Kristiansen for Magnus Olesen, Denmark 1950’s in bouclé wool by de ploeg or fabric of your choice.

The Paper Knife Lounge Chair (1955) by Kai Kristiansen is a refined example of mid-century Danish modern design. Characterised by its sharply tapered armrests—resembling the slim profile of a paper knife—the chair combines sculptural elegance with ergonomic comfort. The exposed solid wood frame, often crafted in rosewood, highlights Kristiansen’s training in cabinetmaking and his emphasis on precise joinery.

The chair was produced by Magnus Olesen, a respected Danish manufacturer founded in 1937. Based in Durup, the company became known for high-quality craftsmanship and collaborations with leading Scandinavian designers. Magnus Olesen focused on durability, fine materials, and careful detailing—qualities clearly visible in the Paper Knife series. Today, the chair remains an enduring icon of Danish modernism, valued for both its aesthetic clarity and lasting comfort.

€6,500 for pair.

Hans Wegner nesting tables in oak 1950’s, made by Andreas Tuck, Denmark 1960’s. Makers mark to underside. 52 x 34 x 48 cm.

€1,295.

Haug Snekkeri Desk in rosewood, Norway 1960’s Mid-century Norwegian rosewood desk, Bruksbo model, manufactured by Haug Snekkeri A/S (Tomter), 1960s. Attributed to Torbjørn Afdal.

128 × 72 × 75h cm.

€1,200.

Danish teak mirror 1970’s. 95h x 41w cm. €300.

Kai Kristiansen Z chairs in rosewood and wool bouclé fabric designed in 1956 and manufactured by Schou Andersen in Denmark late 1950’s or early 1960’s. Different size sets and upholstery options available upon request.

€1,000 per chair.

Jens Risrom 652 reclining armchairs 1941, in mahogany and leather, made by Knoll Associates in East Greenville, Pennsylvania USA in the late 1940’s.

Designed in 1941 as part of Hans Knoll’s inaugural collection, the Model 652 armchair represents a foundational milestone in American modernism. This early post-war example is a rare variant executed in solid mahogany, distinguishing it from standard production models typically crafted in maple or birch. Notably, the frames feature prominent, exposed interlocking finger joints at the arm terminals—a complex, structural detail showcasing the regional Pennsylvania craftsmanship utilized by Knoll during the late 1940s. The webbed leather straps are anchored directly to the interior rails with traditional upholstery tacks. The pair stands as a highly unique, structurally original document of early mid-century design.

The frames have been carefully cleaned and refinished with hardwax oil and the joints thoroughly checked to ensure structural integrity. Select leather straps have been thoughtfully replaced, preserving the chairs’ original character while restoring comfort and longevity.

Jens Risom (1916–2016) was a central figure in shaping American mid-century modernism. After moving from Denmark to New York, he designed Hans Knoll’s first major furniture line in 1941. His designs seamlessly combined honest Scandinavian proportions with American manufacturing, establishing a lasting legacy of understated, wood-centric furniture that remains highly prized by design historians and collectors.

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Danish teak mirror 1970’s. 90h × 36w cm. €260.

Pair of teak lounge chairs GE-270 designed by Hans Wegner in 1956 and made by Getama in Denmark during the late 1950’s or 1960’s.

Hans Wegner’s Model GE-270 Lounge Chairs, introduced in 1956, epitomize the Danish modernist ethos: elegant simplicity, functional form, and honest craftsmanship. Designed for Getama, the GE-270 features Wegner’s signature sculptural armrests and angled solid teak frame, creating a relaxed yet architectural silhouette. The chairs’ precise joinery and organic lines reflect Wegner’s training as a cabinetmaker and his commitment to human-centered design. Though understated, the GE-270 exudes quiet sophistication, bridging artistry and usability. Today, it remains a collector’s favorite and a timeless statement in contemporary interiors, reinforcing Wegner’s legacy as the master of “organic functionality” in 20th-century furniture design.

Hans J. Wegner (1914–2007), a celebrated Danish designer, is renowned for his innovative approach to furniture, blending craftsmanship, functionality, and sculptural elegance. Often called the "Master of the Chair," Wegner designed over 500 pieces, including icons like the Wishbone Chair and the Round Chair. His works exemplify Danish Modernism, emphasizing organic forms, natural materials, and simplicity. Wegner’s legacy lies in his ability to elevate everyday furniture into art, securing his place as one of the most influential designers of the 20th century.

In original black leather or reupholstered in a fabric of your choice.

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€4,995.

Marco Zanuso lady chair produced by Arflex Italy 1950’s, reupholstered in de ploeg bouclé or fabric of your choice.

The Marco Zanuso "Lady" chair, designed in 1951, epitomizes Italian mid-century modernism with its bold, yet graceful design. Its sleek, curved silhouette combines a sculptural steel frame with plush, upholstered seating, offering both comfort and aesthetic sophistication. The chair’s elegant contours are accentuated by its brass wrapped metal legs, which elevate the piece, giving it a floating, almost ethereal quality. Reupholstered in de ploeg bouclé fabric, with new webbing and foam throughout, this chair is a statement of refined craftsmanship. Perfectly balancing form and function, it remains a timeless icon of Italian design, ideal for contemporary and classic interiors alike.

Marco Zanuso (1916–2001) was a pioneering Italian designer and architect celebrated for his influential role in post-war modernism. Known for harmonizing aesthetics with functionality, he was instrumental in developing innovative industrial design techniques. Zanuso's work spanned furniture, electronics, and urban design. His notable creations include the Lady Chair (1951), a benchmark in modern seating design, and the Doney 14 television, the first fully transistorized TV. Zanuso collaborated with major brands like Olivetti, Kartell, and Arflex, integrating cutting-edge materials such as polyurethane foam and plastics. A professor at Milan Polytechnic, he left a legacy of innovation, blending technological advances with timeless design.

€1,500.

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Hans Wegner rosewood sideboard RY26 made by RY Mobler, Denmark 1950’s.

The Hans Wegner Ry26 sideboard, created in 1948 for Ry Møbler, embodies the pinnacle of Danish modern design with its clean lines, superior craftsmanship, and functional elegance. Rendered in exquisite rosewood, its exterior showcases book-matched grain patterns that highlight the organic beauty of the material. The minimalist façade features sliding doors with circular recessed handles, opening to reveal adjustable shelves and drawers for versatile storage. Elevated on sleek, tapered legs, the sideboard maintains a light and balanced silhouette, seamlessly merging form and practicality. This design reflects Wegner’s ethos of creating pieces that prioritize usability without compromising on aesthetic refinement. A timeless work of art, the Ry26 continues to captivate design enthusiasts with its understated luxury and enduring appeal. 200w x 49d × 80h cm.

Hans J. Wegner (1914–2007), a celebrated Danish designer, is renowned for his innovative approach to furniture, blending craftsmanship, functionality, and sculptural elegance. Often called the "Master of the Chair," Wegner designed over 500 pieces, including icons like the Wishbone Chair and the Round Chair. His works exemplify Danish Modernism, emphasizing organic forms, natural materials, and simplicity. Wegner’s legacy lies in his ability to elevate everyday furniture into art, securing his place as one of the most influential designers of the 20th century.

This piece has the Furnituremakers Danish Control Mark.

€5,495.

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Niels Moller 75 dining chairs in teak and papercord.

The Niels Møller Model 75 teak chair stands as an exemplar of restrained elegance and functional refinement. Designed in 1960 by Niels Otto Møller and produced by J.L. Møllers Møbelfabrik in Denmark, the Model 75 synthesises the Scandinavian pursuit of simplicity with an architect’s sensitivity to proportion, line, and material integrity.

Crafted from rich, warm teak, the chair’s frame exhibits a subtle interplay of curved and straight elements that articulate support without visual heaviness. The sweeping backrest and gently tapered legs express an organic clarity that is both inviting and meticulously resolved. The seats have been rewoven in new papercord, a durable, tactile natural fibre that heightens both comfort and visual lightness. It creates a visual counterpoint to the solid teak structure, reinforcing the chair’s architectural poise.

€800 per chair.

PK31 Lounge chair designed by Poul Kjaerholm and made by E. Kold Christensen, Hellerup, Denmark 1950’s.

This rare first edition PK31 armchair by Poul Kjærholm epitomizes the designer’s pursuit of refined structural clarity. Upholstered in supple aniline leather, the piece reveals a rich patina that speaks to decades of careful use, while feather-filled cushions lend an inviting softness that contrasts with its disciplined geometry. The brushed steel legs—an unmistakable Kjærholm signature—anchor the chair with an architectural lightness, appearing almost to suspend the seat within the room. In an open, contemporary space, the PK31 becomes both sculpture and seating: a study in proportion, material honesty, and modernist restraint. Its presence elevates the interior, offering a tactile reminder that true luxury lies in craftsmanship, not embellishment. With makers mark underneath.

€4,800

Uno & Östen Kristiansson mirror in teak produced by Luxus in Vittsjö, Sweden during the 1950’s. 45 cm diameter.

€700.

Teak lounge chair GE-270 designed by Hans Wegner in 1956 and made by Getama in Denmark during the late 1950’s or 1960’s.

Hans Wegner’s Model GE-270 Lounge Chair, introduced in 1956, epitomizes the Danish modernist ethos: elegant simplicity, functional form, and honest craftsmanship. Designed for Getama, the GE-270 features Wegner’s signature sculptural armrests and angled solid teak frame, creating a relaxed yet architectural silhouette. The chair’s precise joinery and organic lines reflect Wegner’s training as a cabinetmaker and his commitment to human-centered design. Though understated, the GE-270 exudes quiet sophistication, bridging artistry and usability. Today, it remains a collector’s favorite and a timeless statement in contemporary interiors, reinforcing Wegner’s legacy as the master of “organic functionality” in 20th-century furniture design.

Hans J. Wegner (1914–2007), a celebrated Danish designer, is renowned for his innovative approach to furniture, blending craftsmanship, functionality, and sculptural elegance. Often called the "Master of the Chair," Wegner designed over 500 pieces, including icons like the Wishbone Chair and the Round Chair. His works exemplify Danish Modernism, emphasizing organic forms, natural materials, and simplicity. Wegner’s legacy lies in his ability to elevate everyday furniture into art, securing his place as one of the most influential designers of the 20th century.

In original burnt orange velvet or reupholstered in a fabric of your choice.

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€2,500.

Grete Jalk lounge chair in teak for France and Daverkosen, Denmark 1950’s newly upholstered in Abraham Moon wool fabric. Pair available in fabric of your choice.

This beautiful and rare lounge chair designed by Grete Jalk, in 1952 and made by France & Son in the 1950’s, epitomizes the mid-century modern aesthetic. Crafted from solid teak, the chair reflects Jalk's dedication to simplicity and functionality, blending sleek lines with organic forms. The backrest, supported by slender vertical slats, provides an airy yet sturdy design. The curved armrests and gently tapered legs enhance its sculptural appeal. This chair embodies Danish modern craftsmanship, emphasizing timeless elegance and practical design that continues to resonate in contemporary interiors.

Grete Jalk (1920–2006) was a celebrated Danish designer renowned for her contributions to mid-century modern furniture. Her designs exemplified simplicity, functionality, and innovative use of materials. She often explored organic forms and sought to create pieces that blended aesthetics with comfort. Jalk gained recognition for her exceptional craftsmanship and attention to detail, evident in works like her lounge chairs and her laminated plywood chair (GJ Chair 1963). Her enduring legacy lies in her ability to balance elegance and practicality, cementing her place in the Danish design tradition.

€1,495 per chair.

Niels Moller 77 dining chairs in rosewood and Olive wool fabric by Abraham Moon or fabric/leather of your choice. Designed in 1959 and produced by J.L. Moller Mobelfabrik in Odense, Denmark 1960’s.

The Model No. 77 dining chairs by Niels Møller are a sublime example of Danish Modern design, celebrated for their elegant simplicity and exceptional craftsmanship. They feature a seamless, sculptural frame crafted from rich rosewood, showcasing the organic beauty of the grain. The gently curved backrest and ergonomic proportions provide both aesthetic harmony and superb comfort. Upholstered in luxurious wool fabric, the seat adds a subtle contrast to the wooden frame’s flowing lines. The absence of visible joints reflects Møller’s mastery in woodworking, achieved through traditional techniques and precision. Timeless and versatile, the Model No. 77 chairs epitomize Møller’s dedication to creating designs that marry form, functionality, and material integrity, resonating with 20th century design enthusiasts worldwide.

Niels Otto Møller (1920–1982) was a Danish furniture designer known for his refined, organic designs that reflect the ethos of Scandinavian Modernism. A skilled cabinetmaker, Møller founded J.L. Møllers Møbelfabrik in 1944, where he prioritized craftsmanship and high-quality materials over mass production. His chairs, such as the Model 77 and 71, are celebrated for their sculptural forms, ergonomic comfort, and impeccable construction. Møller’s legacy lies in his dedication to timeless, handcrafted furniture that continues to inspire and endure in modern interiors.

Sets of 4,6,8 or 10 available .€800 per chair.

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Kai Kristiansen rosewood Mirror SOLD

Kai Kristiansen for Askel Kjersgaard rosewood mirror with convex sides and dowel joints, Denmark 1960’s. 120h x 51w cm.

€595

An original set of six Hans Wegner CH 23 dining chairs designed in 1950 and made during the 1950’s by Carl Hansen & Son in Denmark, with rattan wicker seats. Makers mark underneath. €800 per chair.

This set of six Hans J. Wegner CH23 dining chairs perfectly encapsulates the elegance of mid-century Danish design. Crafted from oak and teak, the chairs display Wegner’s signature interplay of form, function, and fine craftsmanship. The warmth and richness of the curved teak backrests, contrast beautifully with the oak frames, while the handwoven rattan seats lend a tactile, organic character. Designed in 1950, the CH23 marked one of Wegner’s earliest collaborations with Carl Hansen & Søn and remains a masterclass in simplicity and proportion. This matching set highlights the enduring beauty of natural materials and the timeless sophistication that defines Scandinavian modernism.

This Danish rosewood sideboard is a striking example of mid-century craftsmanship, distinguished by its rich, expressive grain and refined detailing. The tambour doors glide smoothly along their track, revealing generous storage while preserving the sleek, uninterrupted façade. Brass handles provide a subtle contrast, adding a touch of warmth and elegance to the deep rosewood tones. Elevated on slender, well-proportioned legs, the piece feels both sturdy and visually light. Timeless and functional, it brings sculptural beauty and practical versatility to dining rooms, living spaces, or contemporary interiors seeking a classic Scandinavian statement.

152w x 50d x 82h cm.

€1,495.

This mid-century Danish teak mirror exudes the quiet sophistication that defined Scandinavian design in the 1960s. Its gently rounded corners and elegantly sculpted teak frame showcase the warm grain and craftsmanship that made Danish joinery iconic. Minimalist yet inviting, the mirror’s elongated form adds visual lightness while offering generous reflection—ideal for hallways, bedrooms, or dressing areas. The subtle curvature softens the geometric silhouette, creating a balance between function and artistry. This piece embodies the timeless appeal of mid-century modernism: refined materials, thoughtful proportions, and an understated elegance that integrates seamlessly into both contemporary and vintage interiors.

€750.

91w x 51h cm

Kai Kristiansen rosewood sideboard with three felt lined beech drawers, Denmark 1960’s. 86w x 40d x 76h cm.

€1,495.

This elegant rosewood sideboard, by Danish designer Kai Kristiansen, exemplifies the clean lines and refined craftsmanship of mid-century Scandinavian design. Crafted from richly grained rosewood, the piece features sliding doors with integrated circular pulls, highlighting Kristiansen’s minimalist yet functional approach. Elevated on tapered legs, the design feels both grounded and light, making it a versatile addition to contemporary interiors. The cabinet’s warm wood tones and understated form create a timeless silhouette that embodies the Danish modern ethos. Ideal for collectors or design purists, this sideboard blends utility and beauty with quiet sophistication — a true modernist classic in every sense.

Hans Wegner Desk 1955 model no. PP305 in Ash, made by PP Mobler 1980’s.

The Hans Wegner Desk Model No. PP305, designed in 1955 and crafted by PP Mobler, is a stunning example of Danish modernism. Constructed from solid ash throughout, the desk showcases Wegner's signature attention to detail and love for natural materials. Its clean lines, functional design, and warm wood finish create a timeless appeal, while its spacious proportions make it an ideal addition to both office and dining spaces. With dimensions of 188 cm wide, 94 cm deep, and 72 cm high, this versatile piece could easily double as a beautiful kitchen table, blending seamlessly into any contemporary interior.

188w x 94d x 72h cm.

Hans Wegner AT-10 coffee table in teak and wicker, made by Andreas Tuck, Denmark 1960’s. 160w x 51d x 50h cm.

Hans Wegner’s teak and wicker coffee table, crafted by Andreas Tuck, is a stunning example of mid-century Danish design. Known for its clean lines and functional beauty, this table combines the warmth of teak wood with the intricate texture of wicker, offering a harmonious blend of materials. The elegant yet sturdy design is characteristic of Wegner’s approach, emphasizing simplicity and craftsmanship. Produced by the renowned Danish furniture manufacturer Andreas Tuck, this coffee table remains a highly sought-after piece by collectors and design enthusiasts, symbolizing the timeless appeal of Scandinavian modernism in interior furniture.

€1,995.

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Hans Wegner chest of drawers in oak made by Ry Mobler, Denmark 1960’s.

This chest of drawers by master architect Hans Wegner combines a daring minimalist form with refined details such as the recessed spherical handles, the dowels joining the floor to the sides and the use of contrasting grain direction and shade of red oak for the feet. The design showcases excellence in composition, material use and intricate detailing.

€1,895.

This Kai Kristiansen rosewood bench exemplifies the refined elegance of mid-century Scandinavian design. Crafted from richly grained rosewood, it features clean lines, a slim rectangular top, and sculptural geometric legs that showcase Kristiansen’s signature balance of form and function. The warm, natural finish highlights the beauty of the wood, giving the piece a timeless appeal. Suitable as seating or as an accent table, the bench brings understated sophistication and exceptional craftsmanship to any interior setting. 120w ×34d x 40h cm.

€1,295.

Pair of Hans Wegner Ge 233 1952 reclining lounge chairs made by Getama, Gedsted, Denmark 1950’s in beech and wool fabric by Abraham Moon.

These Hans Wegner GE233 reclining lounge chairs are a masterstroke of Scandinavian modernism, merging refined craftsmanship with functional elegance. Crafted from solid beech, the frames showcase Wegner’s signature organic curves and meticulous joinery, offering both structural integrity and visual lightness. Upholstered in Abraham Moon wool, the luxurious warmth of the forest green wool fabric with contrasting buttons, exude a tactile warmth which perfectly complements the light beech frames. Designed in 1952, the GE233 remains a paragon of ergonomic design, with a reclining mechanism that discreetly invites relaxation without compromising form. These chairs exemplify the Danish ethos where comfort, material honesty, and architectural clarity converge—making them not merely a piece of furniture, but a sculptural element within the modern interior landscape.

€3,500 for pair.

Hans Wegner Ge 233 (1952) 2 seater sofa made by Getama, Gedsted, Denmark 1950’s in beech and wool fabric by Abraham Moon.

The Hans Wegner GE233 sofa is a masterstroke of Scandinavian modernism, merging refined craftsmanship with functional elegance. Crafted from solid beech, the frame showcases Wegner’s signature organic curves and meticulous joinery, offering both structural integrity and visual lightness. Upholstered in Abraham Moon wool, the luxurious forest green wool fabric with contrasting buttons, exudes a tactile warmth which perfectly complements the light beech frames. Designed in 1952, this sofa exemplifies the Danish ethos where comfort, material honesty, and architectural clarity converge—making them not merely a piece of furniture, but a sculptural element within the modern interior landscape.

Please see our matching lounge chairs

€€1,895.

Rosewood coffee table by Hvidt & Mølgaard Made by France & Son in Denmark 1950’s. 148w x 60d x 50h cm.

An exceptional example of Scandinavian modernism, this coffee table by Hvidt & Mølgaard embodies the duo’s refined approach to form and function. Executed in richly grained solid rosewood, the piece is distinguished by its masterful construction and sculptural presence. A discreet pullout drinks tray adds a practical and elegant detail, seamlessly integrated into the minimalist design. The legs are joined with exposed finger joints, a testament to the craftsmanship and structural clarity that define the studio’s work. With its clean lines, tactile materials, and understated sophistication, this table captures the essence of Danish modern design and is a collector’s piece of remarkable quality and provenance.

Founded in Copenhagen in 1944, Hvidt & Mølgaard was the influential partnership of Peter Hvidt and Orla Mølgaard-Nielsen. Pioneers of Danish modernism, the pair brought together architectural precision and fine craftsmanship to create furniture that was both innovative and enduring. Their designs are marked by clarity of form, intelligent detailing, and an emphasis on functional beauty. Working with renowned manufacturers such as Fritz Hansen and France & Søn, their work played a key role in defining mid-century Danish design. Today, pieces by Hvidt & Mølgaard are celebrated for their timeless elegance and are held in high regard by collectors worldwide.

€6,500

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A pair of FD 151 Easy Chairs, designed in 1956 by Danish designers Peter Hvidt and Orla Mølgaard-Nielsen and produced by France & Daverkosen in the late 1950’s with new cushions in bouclé fabric by de ploeg or fabric of your choice.

A refined expression of Danish modernism, this exquisite pair of easy chairs by Peter Hvidt and Orla Mølgaard-Nielsen for France & Daverkosen distills the essence of mid-century Scandinavian design. Executed in rich, patinated teak with handwoven rattan cane backs and side panels, the chairs embody a masterful dialogue between material honesty and architectural clarity. Their gently curved frames and tapered legs suggest a sculptural sensibility, while maintaining a strict commitment to functional integrity. Light in form yet structurally rigorous, the chairs illustrate Hvidt and Mølgaard-Nielsen’s pursuit of refined utility and modular elegance. These pieces transcend their domestic origins, occupying a liminal space between furniture and sculpture—an ideal synthesis of craftsmanship, natural materiality, and modernist restraint. A quiet triumph of form and proportion.

Founded in Copenhagen in 1944, Hvidt & Mølgaard was the influential partnership of Peter Hvidt and Orla Mølgaard-Nielsen. Pioneers of Danish modernism, the pair brought together architectural precision and fine craftsmanship to create furniture that was both innovative and enduring. Their designs are marked by clarity of form, intelligent detailing, and an emphasis on functional beauty. Working with renowned manufacturers such as Fritz Hansen and France & Søn, their work played a key role in defining mid-century Danish design. Today, pieces by Hvidt & Mølgaard are celebrated for their timeless elegance and are held in high regard by collectors worldwide.

€5,800 for pair.

3 seater sofa also available.

Hans Wegner GE 290 sofa in Oak. The sprung custions have been newly upholstered in light green de ploeg bouclé fabric. Produced in the 1960’s by Getama in Gedsted, Denmark.

Hans Wegner’s work was characterized by clean functional simplicity and this is evident in the oak frame of the GE 290, designed by the master architect in 1959. The confident straight lines of the arms and front legs are softly rounded at the edges to provide balance and evoke comfort. Evenly spaced slats structure the back appearing sturdy and uncomplicated. The long curving reach of the back legs by contrast ads a sense of dynamism to the design.

Hans J. Wegner (1914–2007), a celebrated Danish designer, is renowned for his innovative approach to furniture, blending craftsmanship, functionality, and sculptural elegance. Often called the "Master of the Chair," Wegner designed over 500 pieces, including icons like the Wishbone Chair and the Round Chair. His works exemplify Danish Modernism, emphasizing organic forms, natural materials, and simplicity. Wegner’s legacy lies in his ability to elevate everyday furniture into art, securing his place as one of the most influential designers of the 20th century.

182w x 85d x 75h cm.

€1,895.

Pair of Grete Jalk lounge chairs in teak with new cushions in wool bouclé fabric, Denmark 1960’s.

€2,500.

A pair of teak Ib Kofod-Larsen Candidate lounge chairs 1963 made by Olof Perssons Fåtöljindustri in the 1960’s with new feather cushions in tan aniline leather.

The Kofod-Larsen Kandidaten lounge chairs from 1963 embody the effortless poise of Scandinavian modernism at its peak. Sculpted in rich teak, their frames balance crisp architectural lines with an inviting, organic warmth. The tan aniline leather cushions—sumptuous, breathable, and feather-filled—introduce a tactile luxury that softens the chairs’ refined silhouette. Produced in the 1960s by Olaf Persson, these pieces demonstrate the era’s dedication to impeccable craftsmanship and material honesty. The result is a lounge chair that feels both airy and grounded, timeless yet unmistakably of its moment. Today, the Kandidaten stands as a collector’s favourite, celebrated for its restrained elegance and the quiet, confident comfort that defines great Danish design.

Ib Kofod-Larsen stands as one of Scandinavia’s most quietly influential modernists, a designer whose work balances sculptural clarity with exceptional comfort. Emerging in the golden age of Danish design, he became known for his intuitive grasp of form—sleek, tapered frames, subtle curves, and a mastery of materials from teak to leather. His pieces feel effortlessly poised: elegant without pretension, warm without excess. Collaborating with leading workshops across Denmark and Sweden, Kofod-Larsen created furniture that remains strikingly contemporary. Today, his designs are celebrated for their refined craftsmanship and timeless restraint, emblematic of Nordic sophistication at its most authentic.

€5.800 for pair.

Max Rasmussen rosewood mirror, Odense, Denmark 1960’s. 112h × 36w cm.

€950.

Ole Wanscher Model 166 Senator Lounge Chairs 1951 in rosewood and leather, France and Son, Denmark 1950’s.

68w x 75h x 73d cm.

€4,800.

Crafted in 1951, this exquisite pair of Model 166 Senator Lounge Chairs by Ole Wanscher is a masterclass in Danish modernism. Executed in rich rosewood with sculptural elegance, the chairs feature original green leather upholstery—a rare and refined pairing. Wanscher’s meticulous joinery and clean lines elevate the design, offering both architectural poise and inviting comfort. The gently reclined frame and angled arms exemplify his belief that furniture should be both beautiful and enduring. Patinaed with time yet timeless in form, this set is a standout collector’s piece—an emblem of postwar sophistication and Scandinavian craftsmanship at its finest.

Ole Wanscher (1903–1985) was a pivotal figure in Danish modern design, celebrated for his refined, functional furniture. Trained under Kaare Klint, Wanscher blended classicism with innovation, producing works known for their structural clarity and enduring elegance. He favored noble materials—like teak, mahogany, and rosewood—and approached furniture as sculpture, emphasizing proportion and detail. His designs, such as the Colonial Chair and Senator series, exemplify understated luxury and human-centered ergonomics. A professor, author, and craftsman, Wanscher’s legacy continues to influence contemporary design with his belief that true beauty lies in subtlety and lasting utility.

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Kai Kristiansen rosewood ‘Cube’ Nest of Tables for Vildberg Møbelfabrik, Denmark 1960’s. 40×40(42 together)w x 41h cm.

The Cube rosewood nest of tables, designed by Kai Kristiansen in the 1960s, exemplifies his mastery of minimalist design and functional elegance. Crafted from rich rosewood, the set features three nesting tables with clean lines and angular edges, offering both versatility and style. The sleek, compact design allows the tables to be neatly stored together, making them practical for smaller spaces. The wood’s warm tone and unique grain pattern give each piece a distinct look, while the overall design remains timeless, making it a celebrated example of mid-century modern Scandinavian furniture.

Kai Kristiansen (1929–2018) was a prominent Danish furniture designer, known for his skillful blend of form and function. His work emerged during the mid-century modern movement, where he became recognized for his use of high-quality materials like rosewood and teak. Kristiansen's designs are characterized by clean lines, understated elegance, and practical usability. Throughout his career, he designed a wide array of furniture, including chairs, tables, and storage solutions. His ability to create pieces that were both visually appealing and functional secured his place as a key figure in Scandinavian design, with his work still highly regarded today.

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Kai Kristiansen for Aksel Kjersgaard rosewood Mirror, Denmark 1950’s. H. 104, B. 30 cm. €595.

Grete Jalk rosewood coffee table 1959 made by Glostrup, Denmark 1960’s.

This elegant coffee table was designed by Grete Jalk in 1959 and produced by Glostrup Møbelfabrik in Denmark. Crafted from richly grained rosewood, it exemplifies the clean lines and refined craftsmanship of Danish modern design. The standout feature is its integrated magazine rack, formed from slender rosewood slats that offer both visual lightness and practical storage. The table’s proportions are balanced and sculptural, reflecting Jalk’s focus on functional beauty. A true icon of mid-century Scandinavian furniture, this piece showcases the timeless appeal of quality materials, thoughtful design, and minimalist elegance. Highly collectible, it remains relevant in both vintage and contemporary interiors.

150w × 60d × 50h cm.

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Pair of lounge chairs by Ib Kofod-Larsen for Skelig 1970’s in teak with new cushions in wool fabric by Abraham Moon.

These Danish lounge chairs, designed by Ib Kofod Larsen for Selig, epitomize mid-century modern elegance. Crafted from rich teak, their sculptural frames feature graceful curves, tapered legs, and subtly angled armrests, showcasing expert craftsmanship. The slatted back enhances both aesthetics and support. Upholstered in high-quality wool fabric by Abraham Moon, the cushions offer exceptional comfort with a refined texture. The warm teak contrasts beautifully with the muted wool, creating a timeless and sophisticated look. Perfect for both modern and vintage interiors, these chairs embody Scandinavian design principles—functional, stylish, and built to last, making them an iconic furniture piece.

€2,500 for Pair

Set of 6 Poul Hundevad 1958 Rosewood Dining Chairs, Model 30 in bouclé fabric by de ploed, made by Poul Hundevad, Denmark.

These Poul Hundevad 1958 Rosewood Dining Chairs epitomize the sophistication of mid-century Danish modernism. Designed by the visionary Poul Hundevad, this iconic set combines functional elegance with meticulous craftsmanship. The rich, dark hues of the rosewood frame contrast beautifully with the subtle curvature of the chair’s form, emphasizing organic geometry and understated luxury. The seamless interplay of minimalism and ergonomic comfort creates a striking visual presence, ideal for both refined dining spaces and contemporary interiors. Hundevad's attention to detail is evident in the precision joinery and enduring quality of the materials. As a masterclass in form and function, these chairs are not only a statement of design but a lasting legacy of Danish furniture excellence, prized by collectors and design connoisseurs alike.

Poul Hundevad stands as a distinguished figure in mid-century Danish design, celebrated for his seamless integration of form, function, and craftsmanship. His designs epitomize the essence of Danish modernism, where simplicity and elegance converge to create timeless pieces. Hundevad’s work, often crafted in luxurious materials such as rosewood and teak, is known for its clean lines, ergonomic comfort, and thoughtful detailing. His approach to furniture design was deeply rooted in the principles of durability and utility, yet always with an eye for refinement. Hundevad’s legacy continues to resonate in the design world, with his creations remaining highly coveted by collectors and revered in galleries. His work reflects the enduring values of Danish design—sophisticated yet accessible, minimalist yet expressive.

€8,500 set of 6.

€11,000 set of 8.

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6 Dining chairs by Kai Lyngfeldt Larsen in rosewood and black leather made by Soren Willadsen, Denmark 1960's.

These striking dining chairs, designed by Kai Lyngfeldt Larsen in the 1960s, showcase the elegance of Danish modern design. Crafted from rich rosewood, the chairs feature beautifully grained wood frames that highlight the natural beauty of the material. The black leather upholstery adds a touch of sophistication, with its smooth texture contrasting beautifully against the warm, deep tones of the rosewood. Produced by Soren Willadsen, these chairs combine exceptional craftsmanship with timeless design, offering both comfort and style. Their clean lines and refined details make them a standout addition to any mid-century modern dining setting, exuding understated luxury and enduring appeal.

Kai Lingfeld Larsen is a renowned Danish designer, celebrated for his minimalist yet functional approach to furniture design. His work is marked by a keen attention to detail and an emphasis on natural materials, particularly wood, which he uses to create elegant and timeless pieces. Often associated with mid-century modernism, Larsen’s designs showcase clean lines, ergonomic comfort, and a refined aesthetic that complements a variety of interior styles. His creations, although understated, are celebrated for their craftsmanship and enduring appeal, making them highly sought after by collectors and design enthusiasts alike. Larsen's legacy remains an influential part of Danish design history.

€1,695 for set.

Teak sideboard designed by Peter Hvidt and Orla Mølgaard-Nielsen and made by Søborg Møbelfabrik in Denmark c. 1950’s. 166w x 49d x 86h cm.

The Hvidt & Molgaard Tambour Door Sideboard (circa 1950s) by Søborg Møbelfabrik is a striking example of mid-century Danish modern design. Renowned for its minimalist elegance, the sideboard features sleek, curved tambour doors that elegantly roll open to reveal a meticulously organized interior, showcasing a functional blend of form and practicality. The craftsmanship is impeccable, with rich teak wood exuding warmth and sophistication. Hvidt and Molgaard's use of horizontal lines and subtle proportions conveys an understated yet commanding presence in any interior. This piece embodies the essence of Scandinavian design, emphasizing clean lines, thoughtful functionality, and natural materials, making it a timeless statement in both contemporary and classic spaces. A true masterpiece of its era.

Founded in Copenhagen in 1944, Hvidt & Mølgaard was the influential partnership of Peter Hvidt and Orla Mølgaard-Nielsen. Pioneers of Danish modernism, the pair brought together architectural precision and fine craftsmanship to create furniture that was both innovative and enduring. Their designs are marked by clarity of form, intelligent detailing, and an emphasis on functional beauty. Working with renowned manufacturers such as Fritz Hansen and France & Søn, their work played a key role in defining mid-century Danish design. Today, pieces by Hvidt & Mølgaard are celebrated for their timeless elegance and are held in high regard by collectors worldwide.

€4,995.

The Hans Wegner PP35 side table, crafted by PP Mobler, showcases exquisite Danish design with a solid oak frame and a functional foldable structure. Featuring a removable, reversible tray also made of solid oak, this versatile piece combines practicality and elegance. The clean lines and thoughtful craftsmanship reflect Wegner's commitment to both form and function, making the PP35 a timeless addition to any modern living space. Its compact design and flexible tray offer both aesthetic appeal and convenience. 54w x 48h cm.

Hans J. Wegner (1914–2007), a celebrated Danish designer, is renowned for his innovative approach to furniture, blending craftsmanship, functionality, and sculptural elegance. Often called the "Master of the Chair," Wegner designed over 500 pieces, including icons like the Wishbone Chair and the Round Chair. His works exemplify Danish Modernism, emphasizing organic forms, natural materials, and simplicity. Wegner’s legacy lies in his ability to elevate everyday furniture into art, securing his place as one of the most influential designers of the 20th century.

McIntosh teak sideboard Scotland 1970’s made by AH McIntosh. 175w x 46d x 78h cm. €1,500.

Grete Jalk lounge chair for France & Son, Denmark 1960’s, newly reupholstered in light gray wool fabric by de ploeg.

This elegant Lounge chair, designed by Grete Jalk for France & Søn, exemplifies Danish modernism with its clean lines and sculptural teak frame. Newly upholstered in light gray wool by De Ploeg, the armchair offers a fresh, contemporary touch while retaining its timeless mid-century charm. A striking blend of comfort and refined craftsmanship.

Grete Jalk (1920–2006) was a pioneering Danish designer renowned for her innovative, humanistic approach to furniture. A student of Kaare Klint, she fused functionality with sculptural beauty. Jalk is celebrated for her contributions to mid-century modern design, especially her work with bent plywood and collaborations with manufacturers like France & Søn, which helped define Danish furniture aesthetics.

This mid-century Danish teak mirror showcases the clean geometry and refined craftsmanship that define Scandinavian design. Its slender, perfectly mitred frame highlights the warm, even grain of solid teak, creating a subtle yet sophisticated border around the reflective surface. Tall and elegant, it brings a sense of light and verticality to any room—ideal for entryways, bedrooms, or minimalist interiors. With its timeless simplicity and quality materials, this piece captures the enduring appeal of Danish modern aesthetics.

€275.

Grete Jalk 3 seater teak sofa for France & Son, Denmark 1960’s, newly reupholstered in light gray wool fabric by de ploeg.

This elegant three-seater sofa, designed by Grete Jalk for France & Søn, exemplifies Danish modernism with its clean lines and sculptural teak frame. Newly upholstered in light gray wool by De Ploeg, the sofa offers a fresh, contemporary touch while retaining its timeless mid-century charm. A striking blend of comfort and refined craftsmanship.

Grete Jalk (1920–2006) was a pioneering Danish designer renowned for her innovative, humanistic approach to furniture. A student of Kaare Klint, she fused functionality with sculptural beauty. Jalk is celebrated for her contributions to mid-century modern design, especially her work with bent plywood and collaborations with manufacturers like France & Søn, which helped define Danish furniture aesthetics.

A pair of Kofod Larsen Kandidaten lounge chairs (designed pre 1962) in teak and black leather made by Olof Perssons Fatoljindustri (O.P.E.) in Jonkoping, Sweden circa 1960's.

This elegant pair of teak Candidate Lounge Chairs by Ib Kofod-Larsen embodies the essence of mid-century modern design. Crafted from beautifully grained teak, the chairs feature a sleek, angular frame with sculptural armrests and tapered legs, reflecting Kofod-Larsen’s mastery of simplicity and form. The original sprung cushions, previously reupholstered in premium black leather, enhance both comfort and luxury while maintaining the chairs' timeless appeal. Perfect for both vintage and contemporary interiors, these chairs are a testament to superior craftsmanship and enduring Scandinavian aesthetics, making them sought-after collectibles for design enthusiasts and connoisseurs of mid-century modern furniture.

Ib Kofod-Larsen (1921–2003) was a celebrated Danish furniture designer renowned for his contributions to mid-century modernism. His designs, often crafted in rich woods like teak and rosewood, epitomized simplicity, functionality, and elegance. Kofod-Larsen’s work gained international acclaim for its fusion of comfort and sculptural beauty, with pieces such as the Penguin Chair and Candidate Lounge Chair becoming iconic. He frequently collaborated with skilled cabinetmakers, creating furniture that is both timeless and highly collectible. His innovative approach and dedication to quality continue to influence modern furniture design, securing his legacy as one of Denmark’s most respected designers.

Teak coffee table designed by Hvidt & Mølgaard-Nielsen in 1956. made by France and Daverkosen, Denmark 1960’s. 132w x 50d x 50h cm.

The FD-516 coffee table by Peter Hvidt and Orla Mølgaard-Nielsen, designed in 1956, exemplifies the essence of Danish modernism. Crafted from solid teak, its minimalist aesthetic is elevated by tapered legs and a suspended cane shelf secured by polished brass supports. Balancing form and function, the table’s rich wood grain and airy construction create visual warmth while maintaining utility. Produced by France & Daverkosen, it reflects a seamless fusion of organic materials and precise craftsmanship. This timeless piece remains a hallmark of mid-century design, embodying Scandinavian ideals of simplicity, elegance, and innovation, making it a standout in any architectural interior.

Eirk Brouer rosewood desk in rosewood, Denmark c. 1960. 146w x 74d x 72h cm. 

Eileen Gray adjustable side table 1927, produced by Vereinigte Werkstätten für Kunst im Handwerk in 1980’s. 51w x 63h (glass 54h) cm.

The E1027 side table, designed by Eileen Gray in 1927, is an enduring symbol of modernist design. Created for her iconic seaside villa in the South of France, Villa E-1027, the table was conceived with both functionality and aesthetics in mind. Its most distinctive feature is its adjustable height, allowing it to adapt seamlessly to various uses, from a bedside table to a versatile side piece. Constructed with a circular glass top and chrome-plated tubular steel frame, the table embodies the sleek, industrial aesthetic championed by the Modernist movement. Today, the E1027 side table is celebrated as a timeless classic, combining minimalist beauty with practical innovation.

Eileen Gray (1878–1976) was an Irish modernist designer, architect, and pioneer in furniture design. Celebrated for her ability to combine functionality with timeless elegance, Gray’s work challenged traditional notions of design in the early 20th century. She is best known for this side table and the iconic Bibendum chair, which showcase her innovative use of materials like tubular steel and glass. Gray was also an accomplished architect, with her landmark project, Villa E-1027, embodying her vision of harmonious, human-centered design. Despite being underappreciated during her lifetime, her contributions to modernism have since earned widespread recognition, solidifying her legacy as one of the most influential designers of the 20th century.

The Vereinigte Werkstätten für Kunst im Handwerk, a prominent German design workshop known for its high-quality, handcrafted furniture and interior design, ceased operations in 1991. Founded in Munich in 1897, it was influential in the Jugendstil and later modernist movements, collaborating with leading designers and producing iconic pieces.

Set of 8 Arne Vodder rosewood dining chairs including two carvers. model no. 418 and 418b 1950’s, upholstered in black aniline leather.

This rare set of Arne Vodder chairs are executed in a highly figurative Rio rosewood with vivid grain patterns. It has a rich, deep chocolate color with reddish and purplish overtones and its beauty and desirability is perhaps unrivaled for cabinetmakers. Indeed it was so sought after by furniture makers in the past that since the 1970’s it has been a protected species and therefore can no longer be used for cabinetry.

These are elegant and well proportioned chairs with a simple construction. Two cross stretchers are all that’s needed to provide stability to the well crafted chairs. The simple backrests are adorned by a curved sloping detail at the tops of the rear legs. The 418b carvers have sensible horizontal arms which marry angular lines with curved edges and contribute to the chairs sculptural appearance.

Arne Vodder (1926–2009) was a renowned Danish designer celebrated for his elegant, functional mid-century modern furniture. A student of legendary designer Finn Juhl, Vodder brought a distinctive organic sensibility to his creations. His work, characterized by clean lines, natural materials, and subtle detailing, often utilized high-quality woods like teak and rosewood. Vodder is best known for his modular sideboards, desks, and chairs, which exude timeless simplicity and craftsmanship. His designs gained international acclaim and were widely exported, furnishing prestigious spaces like the White House. Today, Vodder's creations are highly collectible, embodying the enduring appeal of Scandinavian design principles.

1970’s Scandinavian coffee table made of rosewood with an enameled copper top. 140w x 74d x 35h cm. 

A pair of Finn Juhl 138 armchairs made by France and Son in Denmark during the 1950's newly upholstered in a beige bouclé fabric by de ploeg. The clean curved lines of these beautiful armchairs are the embodiment of Scandinavian modernism demonstrating understated sophistication and the elegance of simplicity. Each backrest is supported by two stainless steel pivot joints only, a novel mechanism for the 1950's. These lounge chairs strikingly showcase Juhl's excellence in composition, material use and intricate detailing.

Pitch Pine mirror by TW Spejlet Denmark 1960’s. 125h x 45w cm.

Danish mid century mirror in Cocobolo. 120h x 44w x 5d cm.

A pair of Arne Vodder armchairs manufactured by France & Son, Denmark 1950’s, in teak with wool fabric.

These elegant model no. 165 lounge chairs have been reupholstered in a forest green fabric by Abraham Moon. The sculptural form of the armrests is unique. They gently curve and slope to hold the arm comfortably and showcase the ability of this master craftsman.

The sprung cushions and stance of the frames ensure fabulous comfort, the wool, a feeling of luxury.

Arne Vodder (16 February 1926 – 27 December 2009) was a Danish furniture designer, a close friend and partner of Finn Juhl who had been his teacher. His designs were simple but with an elegant sophistication and charisma. The quality of his work was always exceptional and he is said to have hand picked the finest pieces of teak and rosewood for his furniture as can be seen in this example.

Pair of Hartmut Lohmeyer lounge chairs designed and produced in Germany by Wilkhahn in the 1950's in teak, rattan wicker and new cushions with bouclé fabric by de ploeg.

Hartmut Lohmeyer studied architecture at the Technische Hochschule in Karlsruhe under Egon Eiermann. After working as an architect he progressed into furniture design where he excelled and became one of Germany's most acclaimed post war modernist designers.

Vintage rosewood sideboard by Omann Jun, Denmark 1960’s with two sliding doors and four drawers. 200w x 83h x 47.5d cm.

Set of 4 dining chairs by Farstrup Denmark 1970’s in oak and teak with seats in a bouclé fabric by de ploeg.

Hans Wegner desk model PP312 1955 with solid oak top produced by PP Mobler, Denmark. 120w x 66d x 72.5h cm.

Pair of Grete Jalk rosewood lounge chairs 1956 model no. 56 by PP Mobler, Denmark in de ploeg bouclé fabric.

A pair of teak lounge chairs by Grete Jalk for France & Son, Denmark 1970’s in wool fabric by de ploeg. €2,600.

Pair of Japan Lounge chairs by Finn Juhl, 1957.

A pair of Japan lounge chairs designed by Finn Juhl and manufactured by France & Daverkosen, Denmark 1960’s in Teak with a bouclé fabric by de ploeg.

The chair is defined by the elegant curved frame whose serene simplicity was inspired by a Japanese temple door.

Set of 8 Niels Moller No. 80 chairs in teak with new aniline leather.

A pair of Arne Vodder lounge chairs in teak with original tan leather cushions, produced by Vamo Mobler, Denmark 1960’s.

Roger Capron coffee table with ceramic motif top, chrome piping and teak legs. France 1970’s. 108W x 55d x 39h cm.

Hans Wegner dining table 1950’s.

Extending dining table designed by Hans Wegner and manufactured by Andreas Tuck in the 1950’s in Denmark. This is a rare early example and has a solid oak top and frame with two extending leaves. 160w (240 extended) x 85d x 73h cm. SOLD..

Set of 8 Arne Vodder rosewood dining chairs upholstered in black aniline leather, manufactured by Sibast c. 1960. Denmark. €2,600. SOLD.

A 'Kandidaten', lounge chair designed by Ib Kofod-Larsen and produced by Olof Perssons Fatoljindustri (O.P.E.) in Jonkoping, Sweden circa 1960 in Afromosia African teak and original black leather . 72w x 80d x 75h cm. SOLD.

Sofa FD451 by Peter Hvidt and Orla Molgaard Nielsen for France and Daverkosen 1950’s in teak, wicker and lime velvet. 76h x 165L x 80d cm.